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Josef HorakCzech bass clarinetist
Date of Birth: 24.03.1931
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Content:
- Early Life and Education
- Philharmonic and Solo Career
- Championing the Bass Clarinet
- Ensembles and Partnerships
- International Recognition
- Pedagogy and Legacy
- Technical Innovations
- A Prolific Repertoire
Early Life and Education
František Hrabák, a Czech bass clarinetist, began his musical journey at the Brno Conservatory. Under the tutelage of František Horák and Doležel (1945-1951), he honed his skills on the clarinet.
Philharmonic and Solo Career
After completing his studies, Hrabák played in the Brno Philharmonic Orchestra until 1963. In 1955, he embarked on a solo career as a bass clarinet virtuoso.
Championing the Bass Clarinet
Hrabák's dedication to the bass clarinet led him to champion its use as a solo instrument. He collaborated with composers such as Paul Hindemith, Bohuslav Martinů, and Frank Martin, who created or arranged works specifically for him. In 1959, he premiered Sláva Vorlová's First Concerto for Bass Clarinet and Orchestra.
Ensembles and Partnerships
Beyond his solo pursuits, Hrabák played an instrumental role in the formation of the Brno ensemble "Musica Nova" (1960) and "Sonatori di Praga" (1963). He also formed a renowned duo with pianist Ema Kovarnová, known as "Due Boemi di Praga."
International Recognition
Hrabák's international acclaim grew as he toured and gave masterclasses worldwide. He collaborated with composers such as Sofia Gubaidulina, Henri Pousseur, and Anestis Logothetis, who wrote pieces expressly for him.
Pedagogy and Legacy
Hrabák's influence extended to academia, as he taught at the Prague Conservatory from 1972-1976. His American debut took place in 1976, and "Due Boemi di Praga" made their London debut in 1984.
Technical Innovations
Hrabák expanded the range of the bass clarinet to four and a half octaves and introduced innovative performance techniques such as multiphonics. He embraced contemporary compositions incorporating tape, aleatoric, and third stream music.
A Prolific Repertoire
Hrabák's repertoire encompassed over two thousand works, including modern compositions that pushed the boundaries of the bass clarinet. His advocacy for the instrument helped establish its place as a versatile and expressive solo voice.






