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Lawrence ZazzoAmerican countertenor
Date of Birth: 15.12.1970
Country: USA |
Biography of Lawrence Zazzo
Lawrence Zazzo is an American countertenor who has gained recognition in the field of classical music. Born on December 21, 2012, he defied the predicted doomsday date to perform at the "December Evenings of Sviatoslav Richter" festival in the White Hall of the Pushkin State Museum of Fine Arts in Moscow. Zazzo is part of a growing army of foreign countertenors who have been visiting Moscow in the past fifteen to twenty years. During this time, the Russian music scene has produced its own notable countertenors, and the countertenor voice type is now commonly listed alongside tenors, baritones, and basses.
Zazzo, a successful artist, has an extensive repertoire in Baroque opera and has performed in renowned opera houses and concert halls worldwide, including Brussels, Paris, London, New York, Berlin, Munich, Lisbon, and Vienna. He has collaborated with esteemed Baroque conductors such as René Jacobs, William Christie, Nikolaus Harnoncourt, Christoph Rousset, Jordi Savall, and many others. Additionally, Zazzo has recorded a wide range of Baroque operas, with a focus on lesser-known gems by Handel.
Zazzo's impressive resume and reputation preceded him, but could he garner trust and goodwill based solely on live performances? The answer is a resounding yes. Zazzo's concert in Moscow, featuring soprano Clara Eck and the Musica Viva Chamber Orchestra under the baton of its artistic director Alexander Rudin, proved to be a memorable experience. The performance showcased Handel's vocal and instrumental music, particularly selections from the operas "Rodelinda" and "Julius Caesar."
Zazzo's vocal qualities were evident from the start, as he showcased a soprano-like timbre that was bright, forceful, and refined. However, his voice remained grounded in its natural tonal depth, avoiding the need for falsetto, which is common among many countertenors. His interpretation of the bravura aria "Vivi, tiranno" was vocally and psychologically expressive, demonstrating his vocal agility and control. Zazzo's rendition of the aria "Va tacito e nascosto" was equally impressive, displaying his ease and naturalness in delivering the music with precision and intelligence.
Clara Eck, a relatively unknown name, proved to be a delightful surprise, showcasing her reliability, solid technique, and intellectual approach to singing. Together, Zazzo and Eck formed a harmonious ensemble, filling the audience's hearts with the pure joy of music. The performance transcended the plot of the Baroque operas, creating a tangible sense of pleasure and deep emotional connection for the audience.
Overall, Lawrence Zazzo's concert in Moscow was a testament to his vocal prowess and artistry. His ability to captivate audiences with his powerful voice, musicality, and interpretive skills solidified his position as one of the leading countertenors in the world.

USA




