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Lyapis TrubetskoyPop group
Country:
 Belarus |
Content:
- Lyapis Trubetskoy: A Musical Journey
- Virtual to Reality
- First Album and Rising Fame
- Apogee and Challenges
- Moscow Chapter
- Second Album and Continued Success
- Third Album and Growing Turmoil
- Lull and New Album
- Final 'Soyuz' Release and Beyond
Lyapis Trubetskoy: A Musical Journey
Lyapis Trubetskoy, a Belarusian rock band, emerged onto the music scene in February 1990 with its inaugural concert at the "Tri Kolori" festival in Minsk. Led by Sergei Mikhalok, a student at the Institute of Culture, the band comprised guitarist Ruslan Vladyko, bassist Dima Sviridovich, and drummer Alexei Lyubavin.
Virtual to Reality
Initially existing primarily in name, Lyapis Trubetskoy's transition to a "real" band occurred after its performance at the "Festival of Musical Minorities" in 1994. This marked a shift toward regular rehearsals and live performances. A pivotal moment came with the involvement of Евгений Kolmykov as the band's manager. He arranged their first paid gig at a beer show and spearheaded their "Next Stop New Life" tour, which showcased a rock opera collaboration with the theater group "Bambuki."
First Album and Rising Fame
In 1996, Lyapis Trubetskoy's fortunes soared after a concert at the Palace of Chess and Checkers. Евгений Kravtsov, a representative of "Kompleksbank," noticed their performance and offered to sponsor an album recording at the "Mezzo Forte" studio. The band expanded to include Yegor Drynidin, Vitali Drozdvo, Pasha Kuzyukovich, and Sasha Rolov. The resulting album, "Ranenoye Serdtse," officially released in June 1996, became an instant bestseller.
Apogee and Challenges
Lyapis Trubetskoy's success culminated in a triumphant "Rock Coronation" ceremony in 1996, where they claimed three out of four possible awards. However, this adulation proved to be a double-edged sword, as press criticism and fan disillusionment began to surface.
Moscow Chapter
Amid the turmoil, the band disappeared for a year, leading to rumors of its demise. Yet, behind the scenes, they had initiated a collaboration with Moscow producers. In 1997, they recorded "Ty Kinula," which was initially shelved due to intense competition among record labels.
Second Album and Continued Success
"Ty Kinula" finally saw release in early 1998, propelling the band to immense popularity in Russia and the former Soviet Union. They embarked on extensive tours, rehabilitating their image in Belarus. In the same year, the remix album "Lyapis-Dens" and the archival compilation "Lyubovi Kapets" further enhanced their appeal.
Third Album and Growing Turmoil
The quick and overwhelming success took its toll on Lyapis Trubetskoy, resulting in excessive drinking. Their third album, "Krasota," recorded in Moscow, reflected this turmoil in its eclectic and uneven content.
Lull and New Album
The band's intense schedule and internal struggles led to a temporary lull. In the autumn of 1998, they began working on new material, including the single "Vinogradnaya Loza." Their fourth album, "Tyazhkiy," was recorded in Minsk and France with English producer Victor Pendlebury.
Final 'Soyuz' Release and Beyond
Lyapis Trubetskoy re-released "Krasota" as "Vsem Devchonkam Nravitsya" in 2000, their final album on the "Soyuz" label. It marked a transition period for the band, who continued to explore new musical directions and face the challenges and triumphs of the music industry. Their subsequent albums, including "Zolotaia Antilopa" and "Matryoshka," further cemented their status as one of the most influential and enduring bands in Russian-language rock music.
