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Sara FacioArgentine female photographer
Date of Birth: 18.04.1932
Country:  Argentina |
Content:
- Early Life and Training
- Collaborative Endeavors
- Publishing and Exhibition Platforms
- Literary Illustration
- Major Retrospective
- Recognition and Legacy
Early Life and Training
Born in Argentina in 1932, Sarah Facio embarked on her artistic journey by graduating from the National Academy of Fine Arts in 1953. She then honed her photography skills as an assistant to Argentine photographer Annemarie Heinrich before embarking on her independent photography career in 1957.
Collaborative Endeavors
In collaboration with Alicia d'Amico, Facio gained prominence by capturing portraits of renowned cultural figures such as Argentine writers and poets Julio Cortázar, María Elena Walsh, and Alejandra Pizarnik. Their joint work significantly contributed to the recognition of Latin American photography.
Publishing and Exhibition Platforms
Facio played a pivotal role in establishing La Azotea publishing house in 1973 with Guatemalan photographer María Cristina Orive. This groundbreaking initiative became the first Latin American publishing house dedicated to photography books. In 1985, Facio founded the photography gallery at the San Martín Municipal Theater, which became one of Argentina's most renowned exhibition spaces. She served as its director until 1998.
Literary Illustration
Facio's artistic pursuits extended beyond photography to include literary illustration. In 1996, she brought Argentine poet María Elena Walsh's anthology of poems, "Manuelita," to life with her captivating visual interpretations.
Major Retrospective
A significant retrospective of Facio's work, covering the period from 1972 to 1974, showcased her exploration of the impact of Juan Domingo Perón's policies on Argentine society. The exhibition took place at the Latin American Art Museum of Buenos Aires in 2018.
Recognition and Legacy
Facio's exceptional contributions to photography have been widely recognized. Her works have found a place in the permanent collection of the Museum of Modern Art in New York, solidifying her legacy as one of the greatest Argentine photographers of her time.
