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Nicolas JensonFrench punchcutter, engraver, printer and typographer
Country:
 France |
Content:
- Nicolas Jenson: French Innovator in Typography and Printing
- Training in Mainz
- Pioneering Work in Venice
- Innovative Typefaces
- Roman Type
- Other Typefaces
- Influence on Typography
- William Morris and the Revival
- Modern Interpretations
- Legacy
Nicolas Jenson: French Innovator in Typography and Printing
Early Life and ApprenticeshipNicolas Jenson, a French goldsmith, was born in the 15th century. Before becoming a renowned typographer and punchcutter, he honed his skills in mintage at the royal court in Tours and in the art of jewelry making.
Training in Mainz
In 1458, Jenson traveled to Mainz, the birthplace of printing, at the behest of King Charles VII. His purpose was to acquire the art of typefounding. While there, he likely encountered Johannes Gutenberg, the inventor of the printing press.
Pioneering Work in Venice
After his return to France, Jenson settled in Venice around 1470. Between 1470 and 1480, he established himself as a prominent printer, producing approximately 150 books. Among his most celebrated works was the edition of Eusebius of Caesarea's "De Præparatione Evangelica" (1470), set in a groundbreaking Roman type.
Innovative Typefaces
Greek TypefaceIn 1471, Jenson created the first complete set of Greek type, which is still considered an exemplary typeface today.
Roman Type
Jenson's Roman typefaces, used in works like "De Præparatione Evangelica," combined the beauty of classical writing with the practicality of printing. Scholars believe he gradually honed his skills in type design, culminating in the creation of this masterpiece.
Other Typefaces
In addition to his Roman and Greek types, Jenson also designed several Rotunda typefaces, which he used in medical and historical publications.
Influence on Typography
Contemporaries and SuccessorsJenson's typefaces profoundly influenced his contemporaries, including Francesco Griffo and Claude Garamond.
William Morris and the Revival
Centuries later, English artist and typographer William Morris rediscovered Jenson's typefaces and hailed them as the epitome of printing aesthetics. Morris's "Golden Type" (1890) drew inspiration from Jenson's Roman type.
Modern Interpretations
In the 20th century, Bruce Rogers created the Centaur typeface based on Jenson's 1469 Roman type. Digital interpretations by Ronald Arnholm and Robert Slimbach have also been highly acclaimed.
Legacy
Nicolas Jenson's innovative typefaces and printing techniques left an enduring legacy in the world of typography. His designs have influenced countless designers and are still revered today for their beauty and functionality.
