Roman Viktyuk Soviet, Russian, Ukrainian theater director Date of Birth: 28.10.1936 Country: Ukraine

Biography of Roman Viktyuk

Roman Grigorievich Viktyuk is a Soviet, Russian, and Ukrainian theater director, often referred to as a "genius Slavic director" by his fellow colleague Valentina Talizina. He was born in Lviv and started experimenting with theater at a young age, using his classmates and friends as actors. As he grew older, he moved to Moscow to study at the Russian Institute of Theatre Arts (GITIS). Despite facing challenges from party authorities who banned some of his productions, he continued to pursue his passion for theater.

After his breakthrough production of Jean Genet's "The Maids", Viktyuk gained a large following of admirers, both young and old. He now has his own theater, actors, and devoted fans.

For several days before conducting an interview with Roman Viktyuk, the interviewer had the opportunity to listen to his speeches, watch one of his productions, and came to the conclusion that she had fallen into the trap of his charm. However, she recognized the need to maintain objectivity while conducting the interview.

During the interview, Viktyuk expressed his belief that the purpose of such conversations is to convey the message he wants to share in the given period of time. He acknowledged that he often takes the lead in interviews, guiding the conversation towards his desired topics. However, he denied forcing anyone to play a specific role, including the interviewer.

When asked about his true self, Viktyuk explained that it is impossible to define oneself in each incarnation of the soul. He described himself as both a Scorpion and a Rat, representing strength and leadership. From a young age, he was a leader, growing up in a courtyard in Lviv where he learned Yiddish, Polish, and Ukrainian languages.

Viktyuk's journey to become a theater director was not without challenges. As a teenager, he faced discrimination in a pioneer camp near Kyiv due to his background. To overcome this, he organized a play in which he played the role of a German interrogating members of the Komsomol. This experience marked a turning point in his life, as he gained recognition and acceptance from his peers.

After completing his military service, which he was initially exempted from due to his involvement in the theater, Viktyuk moved to Moscow to pursue his studies. He attended GITIS, where he was fortunate to have exceptional mentors. Despite his unorthodox approach to education, he excelled in all disciplines and obtained his diploma under the guidance of renowned theater director Alisa Koonen.

Throughout his career, Viktyuk has faced criticism and controversy. He has been labeled as someone who challenges societal norms and questions established moral values. He believes that the state should not interfere in matters of love and that the institution of family restricts individual freedom. He has challenged traditional gender roles, advocating for a more fluid understanding of sexuality and identity.

Viktyuk is known for his unique directorial style, often accused of formalism. He prioritizes aesthetics and physicality in his productions, sometimes sacrificing plot and narrative. His adaptations of plays like "The Maids" and "Phaedra" have been praised for their visually stunning performances, but have also been criticized for deviating from the original text.

Despite the controversies surrounding his work, Roman Viktyuk has made a significant impact on the theater world. He continues to push boundaries, challenge conventions, and create thought-provoking productions that leave a lasting impression on audiences.