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Thomas ScheibitzGerman painter and sculptor
Date of Birth: 01.01.1968
Country: ![]() |
Content:
- Thomas Scheibitz: A Journey Through Abstraction and Fragmentation
- Blurring Boundaries: Painting and Sculpture
- Deconstructing Familiar Images
- Playful and Provocative Sculptures
- Materials and Meaning
Thomas Scheibitz: A Journey Through Abstraction and Fragmentation
A Visionary EducationThomas Scheibitz, an acclaimed contemporary German artist, honed his skills at Hochschule für Bildende Künste Dresden (HfBK Dresden) from 1991 to 1996, earning his diploma. He further pursued his artistic development at HfBK Dresden, obtaining his Master of Fine Arts (MFA) degree in 1998.
Blurring Boundaries: Painting and Sculpture
Scheibitz's creative endeavors break down the conventional distinctions between painting and sculpture. He has been aptly described as a "post-cubist" artist, seamlessly integrating recognizable landscapes, architecture, and still lifes into his paintings alongside abstract compositions. His works display a unique fragmentation and deconstruction, reducing these images to their formal essence of geometric shapes and flat planes of color.
Deconstructing Familiar Images
Scheibitz draws inspiration from a vast archive of images, encompassing countless sources from various media. By meticulously breaking down the utilitarian components of color and form, he strips objects of their extraneous details. As a result, familiar objects like houses, plants, and mountains assume an otherworldly and emotionally detached quality.
Playful and Provocative Sculptures
Scheibitz's sculptures often evoke a playful and whimsical quality, reminiscent of forms found on children's playgrounds. Composed of simple geometric shapes predominantly painted in vibrant colors, they challenge traditional notions of scale and functionality. Captain Amely (2007), for instance, resembles a wheel of cheese cascading down a slide.
Materials and Meaning
Scheibitz's choice of materials, primarily medium-density fiberboard (MDF), a common construction material, adds a touch of irony and commentary to his sculptures. These works navigate the realm between miniature architectural structures, akin to those of Manfred Pernice, and non-functional furniture, too large to be considered toys yet too small to be truly monumental.