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Marie WiegmannGerman dancer, choreographer
Date of Birth: 13.11.1886
Country: Germany |
Content:
- Mary Wigman: A Pioneer of Expressive Dance
- Early Life and Influences
- Training and Early Career
- Creating a New Dance Aesthetic
- Recognition and Legacy
Mary Wigman: A Pioneer of Expressive Dance
Mary Wigman, a German dancer and choreographer, was renowned as "Germany's greatest artist." Her unique style of dance, neither ballet nor the lyrical Grecian dance of Isadora Duncan, set her apart from her contemporaries.
Early Life and Influences
Wigman was born into an affluent family in Wilhelmine Germany. Despite her ambition to study medicine, her parents' fears of her becoming an intellectual led them to dissuade her. Instead, she pursued language studies in England. Yet, she struggled to accept the traditional expectations of wifehood and motherhood, breaking off two engagements.
Inspired by the philosophy of Friedrich Nietzsche, Wigman saw a conflict between her human side and her desire for dance. She once stated, "I am divided into two insoluble opposites: humanity [and] loneliness and dance."
Training and Early Career
In 1913, Wigman encountered the innovative rhythmic gymnastics of Émile Jaques-Dalcroze. Intrigued, she enrolled in his school in Hellerau, Switzerland. She also witnessed performances by the Wiesenthal sisters, whose Grecian-inspired dance left a deep impression on her. At the age of 23, an unconventional age to begin dance training, Wigman took the plunge.
Creating a New Dance Aesthetic
After studying with Dalcroze, Wigman developed her own unique style. Her dances conveyed raw emotions and were far from the traditional forms of ballet or lyrical dance. Avoiding exoticism, her work incorporated elements of both human experience and abstraction.
Recognition and Legacy
Wigman's performances captivated audiences, establishing her as a leading figure in modern dance. She toured extensively and founded her own company in Dresden. Her influence continues to inspire contemporary dancers and choreographers worldwide, leaving an indelible mark on the art form.

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