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Rudolf KuldSoviet and Russian theater and film actor, Honored Artist of Russia.
Date of Birth: 20.03.1935
Country:  Russia |
Content:
- Rudolf Kuld: A Legacy on the Soviet and Russian Stage
- Early Career in Tallinn
- A Legend at the Alexandrinsky Theatre
- Major Roles and Critical Acclaim
- A Star in "Melody for a Peacock"
- Legacy and Honors
Rudolf Kuld: A Legacy on the Soviet and Russian Stage
Early Life and EducationRudolf Kuld was born in Russia on March 20, 1935. He graduated from the Leningrad Institute of Theater, Arts, and Cinematography in 1957, where he studied under Professor B. V. Zhon.
Early Career in Tallinn
Following his graduation, Kuld performed at the Tallin Russian Drama Theatre from 1957 to 1959. During that time, he played a remarkable twelve roles, including Slava in "Five Evenings," Vasya in "Quadrature of the Circle," and Jacob in "The Wild Captain."
A Legend at the Alexandrinsky Theatre
In 1959, Kuld joined the prestigious Alexandrinsky Theatre in St. Petersburg, where he remained until his passing. Throughout his 50-year tenure at the theater, he portrayed approximately 100 memorable characters.
Major Roles and Critical Acclaim
In the 1960s, Kuld's notable performances included Vaynponen in "Optimistic Tragedy," De-Brizar in "The Run," and Egmont in "Before Sunset." During the 1970s and 1980s, he garnered acclaim for his portrayal of Rembrandt in "Rembrandt," Narokov in "Talents and Admirers," and Khlopusha in "The Captain's Daughter."
A Star in "Melody for a Peacock"
Kuld's performance as Belan in the play "Melody for a Peacock" (1978) is considered one of his greatest triumphs. He shared the stage with legendary actor Aleksandr Borisov in a critically acclaimed production.
Legacy and Honors
Rudolf Kuld passed away on January 19, 2012, at the age of 76. His exceptional talent and dedication to the stage earned him the title of Honored Artist of Russia (1976). In 2006, he was awarded the Medal of the Order "For Merit to the Fatherland" (Second Class). Kuld's legacy continues to inspire actors and audiences alike, leaving an indelible mark on the history of Russian and Soviet theater.
