1. Ulrich Becher: A Life of Artistic and Political Dissent
2. Artistic Pursuits
3. Literary Beginnings and the Weimar Republic
4. Nazi Persecution and Exile
5. International Flight and Literary Output
6. Writing in Exile

Ulrich Becher: A Life of Artistic and Political Dissent

Early Life and Education

Ulrich Becher, a German-Austrian author, was born on January 2, 1910, in Berlin. He entered the University of Berlin, where he quickly aligned himself with left-wing democratic forces. As nationalism and militarism grew within German society, Becher openly expressed his disgust.

Artistic Pursuits

Alongside his political activism, Becher's passion for art began to emerge. He studied under the renowned artist George Grosz, connecting him with a circle of left-wing intellectuals, including Erwin Piscator, Max Hermann-Neisse, John Heartfield, and Max Pechstein.

Literary Beginnings and the Weimar Republic

In 1928, Becher penned his first literary work, the play "Nobody." Inspired by the scandal surrounding Grosz's anti-war lithograph, the play could not be staged in Germany. However, Becher's writing continued, and in 1932, he published the short story collection "Men Make Mistakes."

Nazi Persecution and Exile

With the rise of the Nazi Party, Becher's life in Germany became untenable. He participated in a clash with Nazis at the University of Berlin in 1932. After his book "Men Make Mistakes" was burned by the regime, Becher fled to Vienna, where he received Austrian citizenship. In 1938, following the Anschluss of Austria, he escaped to Switzerland.

International Flight and Literary Output

From Switzerland, Becher published his second book, the collection "Conquerors." However, his safety was short-lived, and he was forced to leave Europe in 1941. Under an assumed name, he traversed several countries before reaching Brazil. He later settled in New York City, USA.

Writing in Exile

During his years in exile, Becher primarily wrote journalistic articles for antifascist publications in various countries. He documented his experiences of war and oppression, using his pen as a weapon against tyranny.

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