Vremia Srat Alternative group Country: Russia

Content:

1. Alternative Band: Time to Shit
2. The Founding Members
3. The Debut Album and Dissolution
4. The Rebirth and Concept Shift
5. The Recording Process
6. The Legacy of Nihilism

Alternative Band: Time to Shit

The renowned punk band "Time to Shit" emerged from the underground scene, pushing the boundaries with their "techno-punk" genre. Comprising two anonymous members, the band gained a niche following for their eccentric lyricism focused primarily on the ubiquitous subject of feces. Utilizing the antiquated yet powerful Impulse Tracker software, the group crafted their provocative music.

The Founding Members

Alex P:Known for his diverse musical endeavors spanning metal, rock 'n' roll, and pop, Alex played a pivotal role in the creation of "Time to Shit." Driven by a lack of companionship, he found solace in experimenting with instruments and creating mock albums under various pseudonyms. Frustrated with the subpar quality of these projects, he eventually stumbled upon the idea of creating a low-fidelity punk album.

Alex M:A self-proclaimed avant-garde musician, Alex had been recording solo albums for years. Despite considering them masterpieces, his work remained relatively unknown. Facing a creative impasse, Alex joined Alex P's impromptu project to contribute his satirical lyrics.

The Debut Album and Dissolution

"This Shit" marked the debut and demise of "Time to Shit." Recorded with the assistance of Dmitry Labian and Vasya, the album featured live performances with makeshift instruments. However, Alex M's refusal to participate and his mockery of the project's crude nature ultimately led to its dissolution.

The Rebirth and Concept Shift

In 1997, a reassessment occurred. Alex M, having exhausted his songwriting ideas, questioned the significance of lyrical content. Embracing nihilism, he proposed that the distinction between philosophical ponderings, emotional confessions, and the mundane subject matter of feces was inconsequential. Alex P, sharing this view, dismissed the conventional hierarchies of music and genre.

Together, they conceived the idea of a conceptual band centered solely around the concept of shit. Viewed as a secondary artistic form in contrast to "primary" art, they embraced their own "secondary" approach, rehashing the overused theme of excrement in punk music. To further emphasize their intent, they adopted pseudonyms: Govril Govno ("Gavril Shit") and Nikalai Kal ("Nikolai Turd").

The Recording Process

Equipped with a "Mayak-205" four-track recorder, the duo embarked on a prolific recording spree in 1997, releasing seven albums within a year. By 1998, they had transitioned to an IBM-386 computer and released five more albums. As new technologies emerged, upgrades did little to enhance the deliberately low-quality production. Govril Govno churned out music relentlessly, while Nikalai Kal's waning enthusiasm became increasingly apparent in his forced vocals.

The Legacy of Nihilism

Nikalai Kal, grappling with the irony of their own self-indulgent behavior, philosophized about the band's position within society. He acknowledged their role as purveyors of musical and lyrical refuse, but also emphasized their inherent connection to the very system they criticized. Despite their nihilistic stance, he recognized the possibility of future creative endeavors when the urge arose.

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