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Gerardo DottoriItalian Futurist artist
Date of Birth: 11.11.1884
Country:  Italy |
Content:
- Italian Futurist and Novechento Artist
- Futurist Influences
- Aerial Perspectives and Speed
- Support for Fascism and Muralism
- Post-War Career
Italian Futurist and Novechento Artist
Introduction to Gerardo DottoriGerardo Dottori was an Italian artist who played a significant role in the Futurist movement and the Novecento group. His artistic journey was marked by diverse styles and themes, including abstract painting, aerial perspectives, and the expression of speed and energy.
Futurist Influences
In 1911, Dottori encountered Giacomo Balla in Rome and became strongly influenced by the Futurist movement. He joined the group in 1911/1912, exploring typical Futurist subjects such as cyclists. In 1920, he created a series of abstract paintings, following the path of Futurist masters like Balla, Severini, and Boccioni.
Aerial Perspectives and Speed
During the 1920s, Dottori's works centered on the perspective of Earth seen from the air, known as "Aeropittura." Despite the Futurist fascination with machines, Dottori's paintings did not feature them prominently. However, he captured the essence of speed and energy in works like his "Speed Triptych" (1926/27).
Support for Fascism and Muralism
With the rise of Fascism in Italy, Dottori, along with many Italian Futurists, embraced the new regime. In 1932, he participated in the "Mostra della Revoluzione Fascista" ("Exhibition of the Fascist Revolution") in Rome. As a prominent muralist, Dottori co-signed the "Manifesto della plastica murale" ("Manifesto of Mural Painting") in 1934, which encouraged the use of art for political propaganda.
Post-War Career
After World War II, Dottori continued to work in the Futurist style and promoted its legacy. He played a crucial role in the dissemination and understanding of Futurist painting in Italy and beyond.
