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Willi DeckerTheatre director
Country:
 USA |
Content:
- Return to 'Billy Budd'
- A Deep Affinity with Britten
- Musical Roots and Influences
- The Enchantment of the Hermitage
- Collaborative Differences in Russia
- The Role of Musical Education
- Rejecting Digital Enhancements
- Modernity and Artistic Relevance
Return to 'Billy Budd'
Reencountering a MasterpieceGerman director Willy Decker reflects on his return to Britten's "Billy Budd" after a decade. He acknowledges the evolution of his artistic vision while recognizing the enduring relevance of the opera. Decker emphasizes the timeless themes of individuality versus society, a concept that resonates with artists.
A Deep Affinity with Britten
Decker considers Britten one of his favorite composers, drawn to his profound understanding of human psychology and morality. He credits Britten's ability to translate inner complexities into music and laments missing the opportunity to meet the composer due to his early passing.
Musical Roots and Influences
Decker's musical background is firmly rooted in classical masters like Beethoven, Brahms, and Bartók. As a young violinist, he immersed himself in classical music and developed a remote connection with the "B" group—Britten, Beatles, and Bartók.
The Enchantment of the Hermitage
Visiting the Hermitage Museum in St. Petersburg was a deliberate part of Decker's trip to Russia. He praises the collection's Rembrandt works and expresses a deep appreciation for Russian culture, particularly Chekhov, Dostoyevsky, and Tolstoy.
Collaborative Differences in Russia
Decker notes subtle differences in the Russian production process, highlighting the emotional responsiveness and dedication to craft. He acknowledges the rigorous discipline and work ethic of Russian actors, a trait he finds admirable.
The Role of Musical Education
Decker believes that being musically inclined is more crucial than reading music for opera directors. He emphasizes the importance of discerning music's dramatic potential and translating it into a compelling stage performance.
Rejecting Digital Enhancements
Decker eschews the use of digital effects, believing they detract from the essence of theatrical storytelling. He prefers to explore alternative means of embodying music, avoiding the shallow spectacle of moving images.
Modernity and Artistic Relevance
Decker distances himself from the obsession with modernity, believing it to be superficial. He asserts that substance and meaning are paramount, regardless of their temporal connection.
